Lies about ghosts

It just so happened that this is not the first time I heard a nonsense that the shocking meaning of 18+ is laid in the “fired” de – in fact the bathhouse, in which Tikhiro works, is not so much a bath as a brothel, but a faceless, offering a ten -year -old girl a bunch of gold supposedly depicts a pedophile. Yu-Baba is obtained in this situation of pimps, well, in general, “convincing” hints are added that, they say, in Japan, this is not very smooth, and such things are going out to this day, because the master of animation and decided to devote their creation to this topic, in such a very allegorical form, disguising his advance.

It used to seem to me that one careful viewing of this anime would already be enough to understand: there is no and cannot be in the cartoon, since there is an adequate plot and semantic explanation behind all “piquant” scenes.

Who is the faceless? What is the most common and accessible to the child the features are anime? Let’s remember.

So, Tikhiro with their parents went somewhere by car, but decided to take a break in a small oncoming town, which seems strange deserted. Wandering into an open restaurant, they saw ready -made and tasty food on the shelves – but not a single seller. Not standing before the temptation, the parents of Tikhiro are accepted to eat without demand, justifying themselves that no one sees, and they will pay later. This turned them into animals – into dirty grunting pigs.

An adult who has grown up in Western culture, a person will most likely remember here the legend of the Odyssey. In the ancient Greek myth, endure after the capture of Troy, the hero and his faithful sailors moor. She comes to them with a treat that turns them in pigs. Odysseus himself, according to Hermes’s hint, refuses treats, but still remains with the circus for a whole year.

Heads, hair, voice and all their entirety
Became pork. The only mind remained, as before.
Crying, in a stable drove their circoy and threw them into food
They are acorns and simple and edible and purely berries:
The food that is thrown in the mud with resting pigs.
(Homer “Odyssey”, song 10th)

The connection, it seems to me, is https://sistersitescasino.co.uk/casinos/paradise-8-casino/ quite obvious. But even this interpretation is not required, despite the rather clear similarity. Not even knowing anything about the Odyssey, he will understand that the parents of Tikhiro are punished for cattle behavior – they eat like pigs, without asking for permission and not paying, and become pigs and become. Greed, animal behavior – this is what Miyazaki condemns.

Isn’t it a faceless bath workers for the same? Recall. When Tikhiro lets him down lonely and restlessly in the rain, he tries to thank it and gives a sign – she takes one, but no more. There is no greed in it, everything that she does, she does exclusively out of good motives, and she does not need anything “alien”. Another thing with a toad, whose voice is a faceless stealing, at the same time learning that the locals appreciate the gold there is a lot of signs. Health seems to me very appropriate morality from the master and Margarita: “Never ask for anything, especially those who are stronger than you. They themselves will offer everything and give everything themselves “. Bath workers do not follow this principle, they are ready to forget about everything for the sake of free gold, they abandon their daily duties and serve him, for which they are paid lives.

And what is Tikhiro?

“What I need, you cannot give me,” she says.

For her, real values can never be gold or soap signs. All this is temporary, transient, all this is part of the world in which it is stuck (and is our own such a world?). What is really important is to save parents, it is a simple and understandable moral. Close people, here are the only value in life, and not fake gold at all. Therefore, instead of accepting the face of faceless gifts, Tikhiro acts the other way around-she gives him the most valuable thing that she has-a bitter pie, feeds him with all her kindness and disinterestedness-and, most likely, because of this kindness it becomes bad. What incarnated greed cannot digest is generosity.

Of course, you can say that all this is only my personal opinion. But an interview in which Miyazaki would say something about prostitution, simply does not exist. Wherever it is mentioned, it is always indirect speech without a link to the source, so, most likely, everyone copies one after another someone stupid and vulgar duck. Why is this done, I think it’s not so difficult to understand-someone lied to the sake of attracting attention, the rest repeat without checking the original sources and without thinking that such a impudent lie destroys the charm and meaning of this beautiful cartoon in the root, surpasses the meaning, reducing it to something vulgar and slurred.

If you are interested in what Miyazaki himself says about all this, under the spoiler below the quote from a real interview taken from Hayao.

Miyazaki: This film tells about a 10-year-old girl whose dad and mother ate something that they should not have and turned into pigs. The film seems satirical, but not that was my goal. I have five young acquaintances of about the same age as Ms. Hiiraga [1], I spend every summer with them in the country in the mountains. I wanted to create a film that they would like – for this I took up the “Spirit”.

Why is your story unfolding in a bathhouse?

Miyazaki: For me, a bath is a very mysterious place in the city. In the bath I first saw painting with oil paints. And near the bath there was a small door, and I was very interested in what was hiding behind it.

Miyazaki: I think the plot resembles a situation where the girl comes, say, to our studio and says: “Let me work here”. For us, the studio is a familiar place, but for a girl who got there for the first time, she would seem a mysterious and terrible maze. There are many rude. To enter the team, find your place and achieve recognition, a lot of efforts are required. In many cases, you have to rely on yourself. But this is in the order of things, this is life. I want to show life, and not “good” and “bad” characters. The terrible witch of the yubab seems to be a negative heroine, but she is the mistress of the bathhouse in which Tikhiro works. She is not at all easy to manage a bath, she has many subordinates, a son, her own desires, and all this hurts her grief. I don’t want to make an ordinary villain out of her.

Caonashi’s character (faceless) plays a special role in the film?

– Yes. I liked the idea of showing a god-who has no at home and analogues who have no Japanese folklore. Caonasi symbolizes modern Japan. It seems to many that the money will make it happy. But when Caonasy gives people gold, whether he makes them happy? I was wondering how the audience would react to such a character.

Honestly, I don’t even know how to positing a blog about this beautiful anime. But let’s try this: